The Chinese Martial Arts Film - 2646 Words

Most Martial arts films in China generally tend to foreground issues of gender. In addition, these films portray a fixed line of gender separation. The Chinese Martial arts film culture has always been more receptive to the general idea of the female character in what Westerners would indeed consider exclusively male role such as the action hero (Castillo 3). In the martial art films several actress have even established their entire reputations as action stars. The action heroes were also held up as the idea of masculinity with all of its inherent characteristics of control, privilege and agency. This is actually adopted from the western archetypes of male action hero which emphasize connotations of physical presence and prominent body musculature. The emergence of the Chinese martial arts has resulted to convergence of social, economic and political pressures that along with creative talents of producers, writers, actors and directors, have indeed forged a national cinema that capt ured attention of the world wide cinematic consciousness. Majority of the Chinese martial arts movies are distinctively known in cultivating the concept of gender roles. A close analysis of these movies ultimately portrays that multiple characters from the both genders not only play an immense role in the martial arts aspect of the films, but indeed symbolize Chinese themes as well as some of the issues that the country was going through at that particular time. In these regard, in most of theShow MoreRelatedThe Narrative Of The Ip Man Films1462 Words   |  6 Pagesnarrative of the Ip Man films is through the lens of Japan’s history of occupation and colonization in greater china. The film takes place during the Japanese invasion of China in World War II, and revolves around the Japanese general Miura and his interactions with Ip Man. In this film, Ip Man presents martial arts as a physical and symbolic means of resistance against china’s conquerors. On the other ha nd it is more than that, as Ip Man says in the film, that the Chinese martial arts are more than justRead MoreWing Chun Vs Wing Sawan1342 Words   |  6 PagesMartial arts has a long branching history and the stories of its practitioners have continued to entertain the public both from the East to the West. In this paper, I will be reviewing two films that focus on the famous external southern style, Wing Chun. The films are â€Å"Wing Chun† (1994) and â€Å"Ip Man† (2008). Before analyzing the films, we should briefly look at the directors and actors, and description of the film franchise. 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Chan came on top of the box office for his third film of the Rush Hour series. He started his film career when he was at the age of eight years old, he appeared with some of his fellow Little Fortunes, in the film Big and Little Wong Tin Bar in the late 1962. Jackie became an actor since his first film â€Å"LittleRead MoreLee Jun Fans Life and Accom plishments1464 Words   |  6 Pageschild of Lee Hoi Chuen and Grace Ho. Lee Hoi Chuen, Bruce’s father, was a comedic actor in the Chinese opera. Chuen and his wife were on tour in America with the opera company when Bruce was born. At three months old, Bruce and his family returned to Hong Kong. On the way back, Bruce became weak from the change in climates and the long ocean trip. From a young age, Bruce had already appeared in many films as a child actor, studied dance, and wrote poetry. While in middle school, Bruce would be taunted